Monday 27 March 2023

The perils of availability

I was about five songs into the new 77-minute Lana Del Rey album 'Did You Know There's a Tunnel Under Ocean Blvd' on Friday when, with a sudden, angry urgency, I thought "Fuck this! Life's too short" and resolved never to listen to Lana Del Rey again.

I doubt the resolution will last more than a couple of days, as my better nature tends to allow every album at least one more chance, but, in any case, I acknowledge it's entirely unfair on LDR to be taking my anger out on her extremely long new album. She didn't ask me to listen to it.

Here's the thing - I'm not a Lana Del Rey fan (as you've probably already surmised). But I do usually listen to her albums, sometimes several times. 

There are many problems, whatever the benefits, of the streaming age, but one I'd not really considered until now is that people like me, who like to stay up to date with new music, listen to some artists more than is fair to the artist.

In the olden days (let's say of physical media rather than downloads, which would be different again), I'd have heard Video Games, thought "that's quite good", maybe bought the single, but understood that this wasn't an ideal artist for me, so not bought the album, probably bought 'Young and Beautiful' a couple of years later, which I quite liked - (in actual fact, that is basically what happened, as i bought those tracks on iTunes), but not really bought any more Lana del Rey material, unless I really, really liked something I heard on the radio, which I probably wouldn't have, as it will have sounded good but not a big departure from the schtick.

But, what actually happened, is, either when Lust for life or Norman Fucking Rockwell was getting great reviews (i can't quite recall which), because it would cost me no time, I listened to it, and the subsequent LDR albums, a few times. And they're quite good. If you like that sort of thing, which I could easily, but don't, not like I like Jenny Lewis, Waxahatchee or Joanna Newsom, say.

77 minute Lana del Rey albums are, quite reasonably, for Lana Del Rey fans, not people keeping up with Lana Del Rey out of some peculiar sense of duty.

Well, no, I almost convinced myself I was a fan, of sorts. But the reality is, and this is particularly true of someone who is a solo artist with a "shtick", like LDR, Cave (ok, not a solo artist but kind of), or Newsom, if you don't like what you hear first up, you're unlikely to quite be able to change your mind.

Voices are voices, styles are styles.

Of course, Newsom is a bad example, because I was determined that I was not a fan of hers after The Milk-Eyed Mender, and I completely changed my mind with Ys, but, notably, Joanna Newsom had surgery on her vocal cords between those two albums, and also Ys is arguably the most perfectly realised work of art of this century.

These days, I definitely listen to too much of everything and not enough of something. It leaves me quite ambivalent and testy about quite a lot of acclaimed artists who I can see the appeal of, are vaguely in my wheel house, but don't unlock my particular details. Anyway, just off to listen to the most recent, extremely long, Big Thief album ... when will i learn?

Friday 24 March 2023

Heartstrings

I couldn't help but notice that my favourite films I've watched recently - Aftersun, The Quiet Girl and Living - are the three by which I've been emotionally affected. That seems an obvious correlation, but it isn't always. 

By "emotionally affected", I guess I mean "brought to, or close to, tears". Top Gun: Maverick, watched at the cinema, also affects the emotions, in that it is gripping and exciting. Any decent film affects the emotions in some way.

But what I mean here is poignancy, empathy, some sense of real loss on the character's behalf, something like that.

Quite often, the emotions of artworks pass me by a little. I say that ... maybe I'm selling myself short, or flattering myself. Sometimes I'm more affected than is proportionate. For example, in the early 2000s, I used to quite often well up while watching Home and Away - this is a good opportunity to say, though, that in my opinion, early-2000s Home and Away is the ungarlanded apotheosis of soap opera, an unlikely coming together of genuinely good writing and acting which surpassed all that had gone before.

Right, I've said the important bit ... what about emotions? Notwithstanding Home and Away, I probably belong to the class of gent who would imagine that for them to be emotionally affected it would take a high level of artistic of excellence, that they are not subject to the kind of sly, or clunky, manipulation that does the trick on the average joe or jolene.

Rubbish, of course, or slightly rubbish. We can all be manipulated, we can all take a cheap shot. Or, we can all be caught unawares by our own emotions when we're not expecting it, and give more credit to the corresponding work than it strictly deserves.

I am not usually moved, truly moved, by reading a novel, but that's no bad thing. In fact, when I think of books that have pulled on my heartstrings, I do not often think of them as books I eventually judged to be excellent. An example would be 'Queenie' by Candice Carty-Williams. There are a couple of scenes which I found very moving, but there was, imo, far too much work to get there.

Compared to TV, film, novels, poetry, art, it is songs that I am most often carried away by, whether they're songs I've heard many times before, or for the first time. I can't imagine not being moved by Danny Callahan by Conor Oberst, Song for our Daughter, by Laura Marling, or Fourth of July by Sufjan Stevens. I suppose I get myself involved in songs. I am, so to speak, there for the taking. Usually, my engagement with everything else is more passive.

I think I'm a very typical case, but I may not be - the first time I cried in the cinema was, after all, when the Emperor died in 'Return of the Jedi'.

Friday 17 March 2023

Blue and Blood on the Tracks

I love 'Blue' and 'Blood on the Tracks' just about as much as any one person can love a couple of albums. I've loved 'Blood on the Tracks' since late 1996 and 'Blue' since early 1999 and I have never gone off either in any way whatsoever. 'Blue' is my favourite Joni Mitchell and either my 1st, 2nd, 3rd, 4th or 5th favourite album in the world. 'Blood on the Tracks' is my favourite Bob Dylan album and either my 1st, 2nd, 3rd, 4th or 5th album in the world. Others come and go. These two remain.

I am, in general, more of a Bob Dylan fan than a Joni Mitchell fan, though. I sometimes feel quite conflicted about that, but can't change it. In fact "quite conflicted" is an understatement. It's as if, for some weird reason, whatever soul or conscience I have remaining has made its chosen battleground the comparison between Joni Mitchell and Bob Dylan. Guiltily, as if I'm some grotesque, narrow-minded bore (heaven forbid), I find myself relentlessly defending the honour of Bob Dylan's art against imagined people made of straw (or the ghost of David Crosby) who wish to elevate others within popular song to his equal or superior. That's usually Joni Mitchell, sometimes Leonard Cohen - those are two most comparable, it seems, but it can be anyone. "This knocks Dylan into a cocked hat", they say. 

There is a long-established take that Joni Mitchell does not get her due, but, believe me, from the people I'm arguing with in my head, she does ...

It doesn't help my soul in its eternal conflict that the Joni Mitchell and Bob Dylan themselves exist in some kind of unknowable animus, some issue of disrespect and minor slights (publicly from the former, who knows about privately).

My soul finds peace with 'Blue' and 'Blood on the Tracks', thankfully. These two albums are friends and companions. It is no concern to me - well, not much concern to me - which is better. Dylan loved 'Blue' and Mitchell loved 'Blood on the Tracks'. 'Blood on the Tracks' may even, rumour has it, be inspired by 'Blue'.

Both albums are singular masterworks in their creator's catalogues. They both have other masterworks, but these are masterworks which they did not try to replicate. Joni was never the Joni of 'Blue' again, Bob never the Bob of 'BOTT' again.

They are both described as "confessional". They both have pain and loss at their heart. They are both made up of 10 songs, 2 sides of 5 songs each. 'Blue' is an exquisite, concise, perfect 36 minutes, 'BOTT' a slightly more rambling 51 minutes. I used to think of 'Blue' as a little more "perfect", in as much as every single song is a highlight, whereas 'Meet Me in the Morning' and 'Buckets of Rain' seemed like spacefillers, but I have developed great affection for those two songs, particularly the latter. I can't imagine 'Blood on the Tracks' without them now.

An interesting thing is that they both, on initial impressions, sound like they describe one long great love affair, particularly 'Blue', but closer listens and more background info helps you understand there are lots of different strands, lots of different men from different stages of Joni Mitchell's life, and it's better seen as a reflection on her own adult life thus far, rather than a "break-up album".

Both have an element of travel, of multiple locations, though a difference is that 'Blue' feels - of its era - current, whereas 'Blood on the Tracks' is outside time, or certainly of the past, somewhat. Dylan is also, though more "confessional" than usual, more allusive, with at least two songs that aren't in the first person. Indeed, 'Lily, Rosemary and the Jack of Hearts' might seem an entirely different entity to everything else, yet somehow doesn't.

Joni Mitchell's performance on 'Blue' is impeccable, but nevertheless can be harrowing, especially on the title track, or heart-breaking, as on 'Little Green' and 'River'. Dylan is quite charming on a couple of tracks, full of fury on 'Idiot Wind' and sounds probably the most wretched he ever did on 'You're a Big Girl Now' and 'If You See Her, Say Hello'. Indeed, I'd say it is the vocal performances that really elevate those two songs.

'A Case of You' was the one grabbed me most on 'Blue', whereas on 'BOTT' it was 'Idiot Wind' - which (I know it's a song some people hate) gives you a bit of every aspect of Dylan - some great singing, some wild singing, some scorn, some late empathy, some incredible lines, some less good lines, some idiosyncratic phrasing, some perfect phrasing. There are few things I love more than the line "smoke pouring out of a box car door" and how he sings it, and also "ee-yeah-dee-ut wee-und, blowin lak a suckle around ma skuhl, from thee grand couli dam to tha capi-tuhl", or whatever that is.

It might make sense to end with a "Best of the Two Combined" but I think I won't ...

just to say, there are several songs on both albums that I could write a lot about, that are part of the whole but also distinct and beautiful in their own way. Listening to both albums lately, I had a real flashback to when 'Shelter from the Storm' seemed an eerily all-consuming song (having not really thought about it for 25 years), while something like 'The Last Time I Saw Richard' just grows and grows in my estimation. 

No particular reason for writing about these two albums- I've written about them both loads before, but you know, they're good.

Sunday 12 March 2023

Oscars

 Ok, since we're here, I've ranked all the 2023 Oscar nominees (in any category) I've seen, on how much I enjoyed them purely that.

  1. Aftersun
  2. The Quiet Girl
  3. Tar
  4. The Banshees
  5. Women Talking
  6. Top Gun: Maverick
  7. Argentina, 1985
  8. AQOTWF
  9. EEAAO
  10. The Fabelmans
  11. Glass Onion
  12. Elvis
  13. Black Panther: Wakanda Forever
  14. Triangle of Sadness

And then, slightly absurdly, I've found all the films I've seen ever nominated for an Oscar (in Best Pic, Best Dir, Best Actor/Actress/Supporting Actor/Actress, Adapted/Original Screenplay, Animated Feature, International, Cinematography) and judged them either 1. all time favourite of mine 2. great film i remember massively enjoying 3. good, no problem, good film, enjoyed 4, either at the time or retrospectively, not so great. 5. really quite bad, plus 6, remember watching some but didn't finish, which may or may not say something in itself.

Interesting, I think the category where I've thought the Oscar winners were best might be Cinematography. Maybe not though. I think i just thought that because i went through that one last and was surprised that there were lots of distinct films that hadn't won in any of the other big categories, which i'd enjoyed. So it seemed quite a fresh list.

Category 1

  • Casablanca
  • The Deer Hunter
  • Chariots of Fire
  • Unforgiven
  • The Graduate
  • Brokeback Mountain
  • Mary Poppins
  • Klute
  • Cool Hand Luke
  • The Usual Suspects
  • Marriage Story
  • Minari
  • Pulp Fiction

Category 2

  • Rebecca
  • All About Eve
  • On the Waterfront
  • The Apartment
  • The Sound of Music
  • In the Heat of the Night
  • Oliver!
  • Midnight Cowboy
  • The Godfather
  • The Sting
  • The Godfather Pt 2
  • One Flew Over the Cuckoo's Nest
  • Rocky
  • Annie Hall
  • The Silence of the Lambs
  • Schindler's List
  • Shakespeare in Love
  • American Beauty
  • The Departed
  • No Country for Old Men
  • Slumdog Millionaire
  • Birdman
  • Parasite
  • Nomadland
  • The Grapes of Wrath
  • Saving Private Ryan
  • Traffic
  • Life of Pi
  • Gravity
  • The Power of the Dog
  • The Philadelphia Story
  • The Goodbye Girl
  • Raging Bull
  • Leaving Las Vegas
  • There Will Be Blood
  • Milk
  • Lincoln
  • The Theory of Everything
  • King Richard
  • Suspicion
  • Hud
  • Fargo
  • Silver Linings Playbook
  • Three Billboards Outside Ebbing, Missouri
  • Stagecoach
  • The Last Picture Show
  • An Officer and a Gentleman
  • GoodFellas
  • The Fugitive
  • Good Will Hunting
  • Adaptation
  • Whiplash
  • Tootsie
  • LA Confidential
  • The Constant Gardener
  • Michael Clayton
  • Boyhood
  • West Side Story (2021)
  • Citizen Kane
  • The Lavender Hill Mob
  • Chinatown
  • Dog Day Afternoon
  • Witness
  • Dead Poets Society
  • Thelma and Louise
  • Almost Famous
  • Gosford Park
  • Talk to Her
  • Get Out
  • Dangerous Liaisons
  • Sideways
  • The Lives of Others
  • The Secret in their Eyes
  • The Third Man
  • The Hustler
  • Pan's Labyrinth
  • 1917
  • The Hurt Locker
  • La-La Land

Category 3

  • Gone With the Wind
  • From Here to Eternity
  • The Bridge on the River Kwai
  • West Side Story
  • Lawrence of Arabia
  • My Fair Lady
  • The French Connection
  • Amadeus
  • Platoon
  • Rain Man
  • Dances with Wolves
  • Forrest Gump
  • The English Patient
  • Million Dollar Baby
  • The King's Speech
  • The Artist
  • Argo
  • 12 Years a Slave
  • Spotlight
  • Moonlight
  • Green Book
  • Born on the Fourth of July
  • The African Queen
  • The King and I
  • The Color of Money
  • Wall Street
  • My Left Foot
  • Reversal of Fortune
  • Philadelphia
  • Traning Day
  • As Good as it Gets
  • Mystic River
  • The Last King of Scotland
  • Dallas Buyers Club
  • Joker
  • Roman Holiday
  • Darling
  • Guess Who's Coming to Dinner
  • Howards End
  • The Piano
  • Dead Man Walking
  • Monster's Ball
  • The Hours
  • Walk the Line
  • The Queen
  • La Vie En Rose
  • The Reader
  • Blue Jasmine
  • Room
  • Spartacus
  • The Untouchables
  • A Fish called Wanda
  • City Slickers
  • Jerry Maguire
  • The Dark Knight
  • Little Miss Sunshine
  • The Fighter
  • Django Unchained
  • Bridge of Spies
  • Once Upon a Time in Hollywood
  • Judas and the Black Messiah
  • Key Largo
  • Bonnie and Clyde
  • A Passage to India
  • Ghost
  • My Cousin Vinny
  • Cold Mountain
  • The Aviator
  • Les Miserables
  • Pillow Talk
  • Butch Cassidy
  • Breaking Away
  • Lost in Translation
  • Eternal Sunshine of the Spotless Mind
  • Juno
  • Midnight in Paris
  • Her
  • Promising Young Woman
  • Belfast
  • Doctor Zhivago
  • A Room with a View
  • The Social Network
  • The Descendants
  • The Imitation Game
  • The Big Short
  • Jojo Rabbit
  • Bicycle Thieves
  • Crouching Tiger
  • Encanto
  • Toy Story 4
  • Toy Story 3
  • Frozen
  • Coco
  • Inside Out
  • Brave
  • Finding Nemo
  • Black Narcissus
  • She Wore a Yellow Ribbon
  • To Catch a Thief
  • Spartacus
  • The Towering Inferno
  • Apocalypse Now
  • JFK
  • A River Runs Through It
  • Road to Perdition
  • Avatar
  • Inception
  • Hugo
  • Mank
  • Dune
Category 4

  • Titanic
  • Lord of the Rings: the Return of the King
  • Gladiator
  • Crash
  • Captains Courageous
  • Scent of a Woman
  • Black Swan
  • Judy
  • Cocoon
  • Inglourious Basterds
  • Murder on the Orient Express
  • Vicky Cristina Barcelona
  • BlackKklansman
  • Great Expectations
Category 5

  • CODA
  • The Revenant
  • Bohemian Rhapsody
  • The Iron Lady
Unfinished

  • An American in Paris
  • Around the World in 80 Days
  • Kramer vs Kramer
  • Gandhi
  • Driving Miss Daisy
  • Braveheart
  • Cabaret
  • Roma
  • To Kill a Mockingbird
  • On Golden Pond
  • Gandhi
  • Ray
  • Crazy Heart
  • Darkest Hour
  • A Streetcar Named Desire
  • Miracle on 34th Street
  • Hannah and her Sisters
  • Beginners
  • Close Encounters
  • Days of Heaven
  • Tess