Tuesday 13 August 2019

Short things for shortened times

Here are some short things I've written since releasing myself from the task of writing 101 sonnets about places;


I AM
iamb:
-the way
-the truth
&
-the life




DIVERSIONS
I was the body
That the blood let down
A steeplechase incomplete
Of treacle dream come to life.
I was specific aches
And colours dropped as clues
All along the track.



LAKE BUNYONYI
Lake Bunyonyi, Lake Bunyonyi, where I found my one and only
On an island heard her cry when young, defiled and left to die.
Lake Bunyonyi, poor and lonely, went to find a bride who’d owe me
Life at least and love at best, found her in the deep south west
Of Uganda, God’s Uganda, leper’s stone throw from Rwanda,
On the lake I came to make a wife from any I could take.
I outmanned her, dear Uganda, let me state with manly candour
For her sake I had my cake and ate til she begged me to break.
Lake Bunyonyi, dark and holy, where I lost my one and only,
Watched her leap into the deep relief of solitary sleep.
Lake Bunyonyi came to know she’s better off so far below me –
Price too steep for life so cheap – Bunyonyi sowed what I must reap.

MORGAN FREEMAN REVISITED

It was just
The nausea
Of fatal grace

a glowering glade
of gut unlined
and tested.

It was just
A watchman’s peace
His task fulfilled

The everyday
Nature of death
On these hills.

I’M WITH YOU BROTHER
I’m with you brother, the star in the darkness,
The half-hidden mountain, the charmed daemon-lover,
I’m with you forever, I’m Orpheus steadfastly
Marching to save you from being drawn under.

I’m with you brother, a beacon of sorrow,
The cross on an island where cruel ghosts hover.
I’ve loved you forever in quiet isolation,
hold my song close in your sorrowful honour.

I’m with you brother, in earnest compassion,
A fellow late traveller in search of a saviour,
An elegant guest unforeseen at the funeral
Chanting along with your wrecked Hallelujah.

BATHSHEBA BOLDWOOD
After he told me
life was the long game, love was the harvest,
that’s when it sunk in,
rat on a sunk ship,

Bathsheba Boldwood,

Wrapped in his flashbacks of unrealised yearnings,
Unspoken bon mots tumbling inwards
After the goldrush,
That’s when he told me,

Bathsheba Boldwood.

PHILOCTETES
I hold the heat
I wait with hate
I rot, forgot,
I’ll shoot the bow,
They’ll know, they’ll know.

POETRY? PLEASE…
Mr Someone taught us poetry with sheer contempt
For our forced efforts at attention and creation.
When we first entered his classroom cauldron he impressed
On us his photos of Veronica Lake, Montgomery Clift
And other icons telling us “Hey, this guy
He’s got pizzazz.” How furiously disappointed he was
That we were fairly ordinary eleven-year-olds
After all, and thought that Poetry Please was sad,
said Enid Blyton not Elizabeth Bowen.
“No scholarship for you” he’d literately spit
Ruining creativity for decades
If not for good. How manically disappointed he was
That we just wanted to do the work and go home,
If that; he wasn’t Robin Williams and we wouldn’t
Stand on tables, not for him, that nasty cunt.
I write poetry now, sir, despite your best efforts,
You’d call it fatuous, I’ve no doubt, and I’d be proud.

TRENTERPERCENTER
I have given my last per cent
I never reached above
106
I’m sorry

TOP GUNS
Never trust a man
Whose only signal of virtue
Is pictures of big game
Dead
And What animals did this?
They empathise with the top of the food chain
Only
And those are the cheapest brownie points going.


Monday 12 August 2019

David Berman


The American singer-songwriter David Berman, best known for his band Silver Jews, committed suicide last Wednesday (7th August). John Darnielle of Mountain Goats called him the greatest of their generation. He occupied a slightly odd place in my consciousness.

I heard one Silver Jews song, around the turn of the century, called ‘Random Rules’. It was on a free Uncut CD. I liked it a lot, put it on a couple of compilation tapes I listened to regularly, got to know it well. However, I didn’t investigate Silver Jews further.

Yet, whenever, in my head or out loud, I got to thinking about pop music lyricism as an art form - the very height of it - that song, and its opening couplet “In 1984 I was hospitalized for approaching perfection, Slowly screwing my way across Europe, they had to make a correction” flashed into my head, before I’d move on, prosaically, to artists and songs I was better acquainted with.

Yet, as I say, I didn’t dig deeper into Silver Jews. Perhaps I worried nothing else of his would live up to that brilliance (something I was clearly wrong to worry about).

Anyway, I was on holiday last month/this month. At the start of the fortnight’s holiday, in late July, I saw that David Berman had a highly acclaimed new album under the moniker Purple Mountains, and I was excited by this, and determined it would be the first new music I would listen to when I got the chance (I don’t have as much time for listening to music in holiday as when working).

Eventually, I listened to the Purple Mountains album on the train up to London last Tuesday, and on the way back. It was brilliant, brilliant, brilliant, everything I could have possibly hoped – droll, heartbreaking, full of tunes and memorable lines. After waiting so long to allow myself to properly discover Berman’s catalogue, I was ready to dive right in.

On Thursday morning, the first thing I saw on Twitter was that he’d died on Wednesday. It seemed surreal and pointed in that moment, notwithstanding how terribly sad it is. I’ve listened to the album several times since, as well as a couple of the Silver Jews albums I'd previously foregone – he is clearly one of the great songwriters, someone whose lines leap out at you and make you want to quote them straight back.

I have another thought to attach to that, prompted somewhat by Darnielle’s tribute. My own tastes have become far more diverse in the last decade or two, as, it seems, has music taste and criticism in general. Hip-hop, dance and experimental music, female artists and bands fill up the end of year lists far more than they used to.

People mock the old orthodoxies of Best of British, or All Time, lists which contain no women, no grime etc, people are changing the pantheon of greats as we speak (apart from good old Rolling Stone magazine). All of that is as it should be. But best to avoid throwing the baby out with the bathwater. There was/is a great, great generation of male North American traditional guitar-based singer-songwriters, ages roughly 45-55 (Worth adding that this is the generation which starts with Kurt Cobain and Jeff Buckley) ... It’s not dull and old-fashioned to mark it, it feels important at times like this to note it and celebrate it – Berman, Darnielle, Marks Eitzel, Kozelek, Mulcahy, Jeff Tweedy, Damien Jurado, Bill Callahan, Will Oldham, Sam Beam, Joe Pernice, Kurt Wagner, John Grant, Wayne Coyne, Jason Lytle, Willy Vlautin, Beck, Sufjan Stevens, Matt Berninger, Craig Finn, the list goes on … guys who wrote/write beautiful, literate, meaningful, elegant songs to lose yourself in. 

Maybe who cares? Do middle-aged white American men really need someone to stick up for them? Am I going to write a heartfelt defence of the virtues of 1990s Ryder Cup golfers next? ... But still, writers like Berman didn’t belong in a box, defined by operating within a supposedly outdated genre, and don’t deserve obscurity.

Tuesday 6 August 2019

Year. Books

I hadn't read a full-length work of adult fiction for around 3 years at the time of my 40th birthday, in August 2018.

I've read 70 in the year since, with an iron and joyless will. Here they all are. Just to spice it up and add value, I've put them in some putative order of how much I think I enjoyed them, though the order is completely arbitrary really, and there were very few (indeed none) I didn't enjoy at all (honestly, the gap between 6 and 66 in how highly I would rate these books is almost nothing - I think I chose pretty well what I read and also had limited wish to impose my critical faculties on the task/pleasure of reading quickly ...)

Here you go. Lots of very good, quite short books ...


  1. The Good Soldier - Ford Madox Ford
  2. Normal People – Sally Rooney
  3. Autumn - Ali Smith
  4. The Prime of Miss Jean Brodie - Muriel Spark
  5. Home Fire - Kamila Shamsie
  6. The Sense of an Ending – Julian Barnes
  7. I Heard the Owl Call My Name - Margaret Craven
  8. An Artist of the Floating World – Kazuo Ishiguro
  9. A Month in the Country – JL Carr
  10. Go Tell it on the Mountain - James Baldwin
  11. Swimming Home - Deborah Levy
  12. Hawksmoor – Peter Ackroyd
  13. Under the Net – Iris Murdoch
  14. Ghost Wall – Sarah Moss
  15. The Vegetarian - Han Kang
  16. Exit West - Mohsin Hamid
  17. Mrs Palfrey at the Claremont - Elizabeth Taylor
  18. Eileen - Ottessa Moshfegh
  19. Conversations with Friends – Sally Rooney
  20. Nutshell – Ian McEwan
  21. The Gathering – Anne Enright
  22. Hotel du Lac - Anita Brookner
  23. Winter  - Ali Smith
  24. Spring - Ali Smith
  25. The Beginning of Spring – Penelope Fitzgerald
  26. Moon Tiger – Penelope Lively
  27. Quartet in Autumn - Barbara Pym
  28. 13 Ways of Looking - Colum McCann
  29. Train to Pakistan – Khushwant Singh
  30. Sula – Toni Morrison
  31. The Postman Always Rings Twice - James Cain
  32. Regeneration - Pat Barker
  33. The Sun Also Rises - Ernest Hemingway
  34. Tin Man - Sarah Winman
  35. Their Eyes Were Watching God - Zora Neale Hurston
  36. The Quiet American – Graham Greene
  37. Hot Milk – Deborah Levy
  38. Train Dreams - Denis Johnson
  39. Stay With Me - Ayobami Adebayo
  40. The Ghost Road - Pat Barker
  41. The End We Start From - Megan Hunter
  42. The End of the Affair - Graham Greene
  43. The Noise of Time – Julian Barnes
  44. Midwinter Break – Bernard MacLaverty
  45. The Little Sister – Raymond Chandler
  46. Seize the Day - Saul Bellow
  47. The Ghost Writer - Philip Roth
  48. A Severed Head - Iris Murdoch
  49. Siddhartha - Herman Hesse
  50. The Forgotten Waltz – Anne Enright
  51. From a Calm and Narrow Sea – Donal Ryan
  52. Amsterdam – Ian McEwan
  53. Heartburn - Nora Ephron
  54. In a Free State - VS Naipaul
  55. Of Mice and Men – John Steinbeck
  56. Scoop - Evelyn Waugh
  57. Home - Toni Morrison
  58. The Bell Jar - Sylvia Plath
  59. Wide Sargasso Sea – Jean Rhys
  60. Giovanni's Room - James Baldwin
  61. Grief is a Thing with Feathers - Max Porter
  62. In Our Mad and Furious City - Guy Gunaratne
  63. Sing, Unburied, Sing – Jesmyn Ward
  64. Slaughterhouse-Five – Kurt Vonnegut
  65. The Body Artist – Don DeLillo
  66. The Old Man and the Sea – Ernest Hemingway
  67. Oranges are not the Only Fruit - Jeanette Winterson
  68. The Fall - Albert Camus
  69. A Day in the Life of Ivan Denisovich – Alexander Solzhenitsyn
  70. The Crying of Lot 49 - Thomas Pynchon