Sunday 10 November 2013
2013: Arctic Monkeys - AM
So the most recent happens to be by the band that comes first in alphabetical order. I'd have quite liked to write about Ash's 'Free All Angels' for the letter A, which I think is one of the unsung perfect albums of recent times, but 2001 was a bit of a busy year for albums, and the Arctic Monkeys work for 2013 in a way that nothing else does really.
So here we go, 'AM' - a title shared with Wilco's 1st album, a nice little pun which was no doubt carefully thought through. And it's the Arctic Monkeys' 5th album, which means they've already caught up with Coldplay, who started 6 years earlier, and bearing in mind Alex Turner has also had time for a Number 1 album with the Last Shadow Puppets and a very good soundtrack to the film 'Submarine' he can fairly be described as prolific.
It's time for the cynics and doubters, who have included myself, believe me, to accept that the Arctic Monkeys are an all together good thing. They're Kaiser Chiefs, but good. They're Blur, but still together. They're Oasis, but consistent. They're Oasis, but nice. They're Oasis, but smart. They're Oasis, but not really Oasis, cos they're way better. They're every other British indie band, but enormously successful. In a good way.
When their first album came out to phenomenal success and they were 18 and I was 27, they were quite frankly a bunch of precocious smartarses. And so they remained for quite some time. I begrudged their success, their talent, their Northern wit. I was interested, but from a distance.
I'd bought the first album, but truly not enjoyed it all that much. Nothing else sounded as good to me as 'I Bet You Look Good On the Dancefloor'. Looking back, it's a phenomenal work by teenagers, a fine album ful lstop, but thankfully, and impressively, it's not their best. And it's reasonable to hope they'll only get better.
'AM' from 2013, is probably their most critically aimed record and the one where I finally realised resistance was futile. It's just really good. Every song is good, it's imaginative, it rocks, it's eclectic, it's got a bit of heart, it's just really good.
How often has a band who exploded on the scene like they did been able to cope with the gradual and inevitable decrease in sales and acclaim, while still keeping it at a very acceptable level (all their albums have gone to Number 1 in the UK and Top 25 in the US) and then rediscovered huge success and acclaim again on their 5th LP?
'AM' was recorded in America and has a slighly American feel, incorporating a bit of a hip-hop feel and also heavy rock and a few tales from the rock'n'roll road, but Yorkshire is unmistakeable.
America has often embraced British music but rarely has it embraced British bands who sounded totally and unmistakeably British and dealt in British idiom. Maybe the last one was the Beatles. Are the Arctic Monkeys the new Beatles? I thought I'd give a shit about answering that question, but it seems I don't, thank goodness.
They're a bit of an anomaly, a proper indie band for whom success has come easy and stayed easy, who haven't blanded out. Now they're in their later twenties, I do confess it's easier to like them than it was. It's hard when the footballers and rock stars are all younger than you (Michael Owen will always be young Michael Owen to me) but I was dealing with it quite well til the Arctic Monkeys came along. 18? You're 18? Piss off.
It's not been perfect. They erred in that their one line-up change (bassist Andy Nicholson swapped for Nick O'Malley) came after, not before, the first album (unlike, say, the Beatles!) creating the impression of disharmony or manipulation.
But there's a lot to like now. Including great drumming and great backing vocals (who's not a sucker for ooh-la-las?). Although most of the focus is on the lead singer Alex Turner, the drummer Matt Helders might well be the power behind the throne.
Perhaps both a strength and a drawback of the band is the pure attention to detail of Alex Turner's lyrics - it can sometimes seem almost too perfect, too showy, like you can hear him slaving over it, rather than just coming naturally. There's a slickness and smartness to the internal rhymes and the long, elegant lines which is frankly enviable.
So, there we go, Arctic Monkeys, the band of the present, the band of the future.
Here is a 12 song Arctic Monkeys/Alex Turner compilation
I Bet You Look Good on the Dancefloor
Fluorescent Adolescent
Stuck on the Puzzle - Alex Turner
Snap Out of it
Cornerstone
Knee Socks
Fake Tales of San Francisco
Do I Wanna Know
The Age of the Understatement - The Last Shadow Puppets
Arabella
505
A Certain Romance
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I've never given the Arctic Monkeys much of a showing for essentially the same reasons you outline, but perhaps now is the time to try. I guess I need to start paying for Spotify so I can literally embrace your carefully though-out compilations. Or should I give teh new album a go first? I do still like the album as a thing, not least as it appears to have survived as an artistic property. (I suppose this isn't so surprising, since short stories and novels have survived for centuries, too, despite format restrictions no longer applying to either)
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