Friday, 3 July 2026

All the Number 1s of the 2020s, so far, ranked - REDONE

I made this list over a year ago, but I'm going to do it again, as there have been some great Number 1s since then. I'll leave in most of my original comments, and add a few more. New songs in bold.

The pop charts are not that lively these days in that lots of the same songs hang around for ages, but I think it is an era with a high end of pretty great singles, and great in a very accessible, universal way.

Nevertheless, we must begin with ...

96. LadBaby - Food Aid. I'd not actually listened to these before, just reasonably assumed how bad they'd be, but I actually listened to some of this today, and it's way worse than could possibly have been imagined. Just unbelievably bad to listen to. Makes me hate this country even more than i already do.

95. LadBaby featuring Ed Sheeran and Elton John - Sausage Rolls for Everyone. This is much better. Only kidding.

94. LadBaby  - Don't Stop Me Eatin'. This is much better. Only kidding.

93. Michael Ball, Captain Tom Moore and the NHS Voices of Care Choir - You'll Never Walk Alone. Hahahahahaha. Probably my favourite band, Michael Ball, Captain Tom Moore and the NHS Voices of Care Choir.

92. David Guetta and Bebe Rexha - I'm Good (Blue). Aah look no, i couldn't stand this first time around, i don't want to revisit it.

91. Lewis Capaldi - Wish You the Best. They do grate after a while, the Capaldi songs, I'm afraid.

90. Ed Sheeran and Elton John - Merry Christmas. Ching-ching. I mean, all Christmas songs are ching-ching, but this really takes it to the next level.

89. Tion Wayne and Russ Millions - Body. I like the name Russ Millions, and I actually quite like the sound of this, but I found it wearing.

88. Jack Harlow - Lovin on Me

87. Saint Jhn - Roses

86. Gayle - ABCDEFU. As we will continue to find out, they're very sweary, the young ladies of popular music.

85. Lewis Capaldi - Survive

84. Lewis Capaldi - Forget Me

83. Ed Sheeran - Shivers

82. Mariah Carey - All I Want for Christmas Is You. I'm pretty certain that the main reason I still don't like this is that, when I was 15, I was shocked by the opportunism of it having been recorded in summer. Imagine. Hootenanny! But, there we go. The world may love it, but I still do not.

81. Alex Warren - Ordinary. One of these modern blokes.

80. Sabrina Carpenter - Taste

79. Ed Sheeran - Bad Habits

78 Internet Money featuring Gunna, Don Toliver and Nav - Lemonade

77. Lewis Capaldi -Before You Go

76. Adele - Easy on Me. Have hardly listened to Adele for more than ten years, but a few seconds of listening to this extremely Adele-like song, and I still find the vowels and the consonants annoying, I'm afraid.

75. Drake - Toosie Slide

74. 24kGoldn featuring Iann Dior - Mood

73. The Fate of Ophelia - Taylor Swift Too many annoying lyrics in this one.

72. Calvin Harris and Ellie Goulding - Miracle

71. Elton John and Dua Lipa - Cold Heart (Pnau remix). Kind of works ok.

70. XMAS - Kylie Minogue

69. Taylor Swift featuring Post Malone - Fortnight

68. Little Mix - Sweet Melody

67. Jawsh 685 and Jason Derulo - Savage Love (Laxed – Siren Beat)

66. Ariana Grande - Positions

65. DaBaby featuring Roddy Ricch - Rockstar. Definitely not the worst song called Rockstar.

64. Eminem featuring Juice Wrld - Godzilla. Eminem's ability to still have massive singles is actually pretty impressive, and this is a perfectly good single.

63. MK ft Chrystal - Dior. The singer actually has a really nice voice, but there are far too many songs about brands these days.

62. Justin Bieber - Daisies

61. BBC Radio 1's Live Lounge Allstars - Times Like These. Don't mind this all that much, surprisingly. The song suits the treatment quite well, most of the singers don't over-emote, and, yeah, unlike that creepy Hollywood Imagine, it seemed quite a sweet gesture in those zoomy gloomy days.

60. Hozier - Too Sweet. Hozier's enormous success it definitely one of those modern things I don't understand much. But fair enough.

59. Beyoncé - Texas Hold 'Em. Didn't like the album at all. This single is actually fine. but not good like Beyonce can be good.

58. Eminem - Houdini

57. Miley Cyrus - Flowers

56. Ellie Goulding - River. Again, didn't mind this. I remember it got to Number 1 purely on the back of being on a playlist, which is rank. And I'm not really a fan of Ellie Goulding, but River is an all-time song, and not the kind of thing one really hears in the pop charts, and she sings it really carefully and appropriately, if those don't seem like extremely weird adverbs to use.

55. Cardi B featuring Megan Thee Stallion - WAP. Yikes, well crumbs, well really ...

54. Lewis Capaldi - Pointless. When he sings "airs and graces", it's hard not to warm to him. Hymn to Richard Osman, this.

53. Joel Corry and MNEK - Head & Heart

52. Ariana Grande - Hate that I Made You Love Me

51. Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero and Stephanie Beatriz - We Don't Talk About Bruno. And this was actually, fact fans, the first Disney film Number 1.

50. Noah Kahan - Stick Season. Now, this being, of pretty much all of the 73 years of UK Number 1s, the one song on the surface that  looks closest to the kind of music I have generally liked the most - beardy, sensitive, somewhat rural American men with guitars doing gentle, harmonious, tunes -, is a source of bafflement to me. If this song had turned up halfway through  a Fleet Foxes or Iron and Wine or Ray LaMontagne or Midlake or Band of Horses album, I don't think I'd have picked it out as a hit. I don't even hate it. It just sounds like a song. But it's a worldwide smash. Kids love it. Everyone loves it. Sometimes I don't get pop music.

49. Dave and Central Cee - Sprinter. Stylish, but not loveable.

48. Ed Sheeran - Eyes Closed

47. Charli XCX featuring Billie Eilish - Guess

46. Lola Young - Messy. It's good, it's just, there's a lot of swearing, and a lot of the same milieu about. It's a welcome milieu, but there are a lot of these about.

45. Sabrina Carpenter - Please Please Please

44. Taylor Swift - Anti-Hero

43. Sabrina Carpenter - Manchild

42. Wham! - Last Christmas

41. Lady Gaga and Ariana Grande - Rain on Me

40. Taylor Swift - Is It Over Now?

39. Benson Boone - Beautiful Things. I imagine this has inspired more awful karaoke versions than almost anything else in history. I'd give it a crack myself on a bad night.

38. The Beatles - Now and Then. I thought this was rather good, all things considered. But I much prefer Days We Left Behind.

37. Gracie Abrams - That's So True.

36. Eliza Rose and Interplanetary Criminal  - B.O.T.A. (Baddest of Them All)

35. Chase & Status and Stormzy  - Backbone

34. Olivia Rodrigo   Drivers License

33. Doja Cat - Paint the Town Red. Kid came home singing this. Radio edit. Mainly.

32. Kenya Grace - Strangers

31. Olivia Rodrigo - Vampire. Kid came home singing this. Radio edit. Mainly.

30. Gigi Perez  - Sailor Song

29. Dave and Tems - Raindance

28. Lil Nas X  - Montero (Call Me by Your Name)

27. Sam Smith and Kim Petras - Unholy. This is a song with some pizzazz, I must say.

26. Harry Styles - Aperture

25. Nathan Evans, 220 Kid and Billen Ted - Wellerman. This is nice to listen to. There we go.

24. Olivia Rodrigo - Good 4 U

23. Dave - Starlight. 

22. Stormzy featuring Ed Sheeran and Burna Boy - Own It

21. Sabrina Carpenter - Espresso. Why the 2020s is so much better than the 2010s is that the songs have words which people have put some thought into. Taylor Swift is a really precise lyricist, whatever else. You can tell she spends time on it. And others have followed suit. This song has just got some real turns of phrase in it, and that's what i want to hear in pop songs sometimes.

20. Djo - End of Beginning

19. Dua Lipa - Dance the Night

18. Taylor Swift - I Knew It, I Knew You. Very nice.

17. Sam Fender and Olivia Dean - Rein Me In Genuinely fascinated by how vastly successful this song is, looking like it's going to break all records for weeks at Number 1 in the UK. It is a properly a nice song, and has clearly tapped every nerve and every market that can reasonably be tapped.

16. LF System - Afraid to Feel

15. Olivia Dean - Man I Need

14. Billie Eilish - No Time to Die. I think, if I'm not mistaken, this was the first time Billie Eilish displayed her capacity for grandeur.

13. Huntrix/Ejae/Audrey Nuna/Rei Ami & KPop Demon Hunters Cast - Golden

12. Taylor Swift - Opalite

11. Kendrick Lamar - Not Like Us. Honestly, i have tried to hate this, found it deeply unedifying, but it is just the work of a master.

10. Raye featuring 070 Shake - Escapism

9. Kate Bush - Running Up That Hill. One of the greatest songs ever, and gives hope to all other great songs that they'll randomly, cos of a TV show, get to Number 1 40 years later.

8. Olivia Rodrigo - Drop Dead. I really like the music on this Olivia Rodrigo album. Lovely crisp indie-pop. Much prefer it to the last one.

7. Chappell Roan - Pink Pony Club. Of course, if Good Luck, Babe had, instead of stalling after several weeks at Number 2, snuck to Number 1 for just one week, it would be Number 1 on my list by a country mile, but Pink Pony Club is also, unquestionably, very enjoyable to listen to.

6. The Weeknd - Blinding Lights. Also good. The most streamed song ever. Will be the first song to 5 billion streams on spotify. I imagine, most times it has been streamed, people have thought, "yup, this is a good song".

5. Harry Styles - American Girls

4. Chappell Roan - The Subway

3. Harry Styles - As It Was. Yes, of course. But also, you know on Watermelon Sugar, when he's going "I just want to taste it, I just want to taste it", is that lifted from SFA's Smokin'? (i know that song took that from somewhere else but it's all pretty obscure ... has anyone else asked these key questions?).Anyway, As it Was. Good. I had Blinding Lights above it, but I definitely prefer As It Was. Sadder, dreamier.

2. Billie Eilish - What Was I Made For? A few years ago when mockney doofus and musical maestro Dan Abnormal got into trouble for saying he didn't really rate Taylor Swift's songs (and, more questionably, she didn't write them all by herself), but he loved Billie Eilish, at the time I thought "well, he probably hasn't listened much to either of them, he's probably just jetlagged and irritated" ... but now I think, having myself listened to them both an awful lot more,  he had listened to them both and he knew exactly what he was talking about. It's not a slight on Taylor Swift, whose songs are often excellent, but they really and truly just don't have ... whatever Billie Eilish has ... let's call it depth. Depth is the simplest, best word, isn't it. Writing and performing a hack song for the Barbie song, Billie Eilish and her brother managed to make something with some real depth.

1. Raye - Where is My Husband Just one of the best singles of all time, I think. The album, sadly, less so, but what a hit.

Wowsers, that's it, that's all the Number 1s. I can't just leave it there. I'll hack together some kind of best-of, I expect. 


Thursday, 18 June 2026

Push Barman to Open Old Wounds

I had cause recently to want to hear the Belle and Sebastian song 'Take Your Carriage Clock and Shove It', and that led me to relisten to the whole of the 2005 compilation 'Push Barman to Open Old Wounds', which collects their early EPs and singles.

When it came out, I did buy it, but I don't remember listening to it, in and of itself, that much, or paying it much heed, because I had all the songs and knew them perfectly well already. It was just a piece of B and S ephemera.

But, you know, holy shit, what a record! I do still listen to B & S, both in terms of going back to old stuff and hoping for the best with the new, but I'm certainly more distant from those songs than I was, and more able to see it all in context.

So, to think that this collection is "the 25 songs from a band's first six years of recording which they didn't include on the four albums they released in that time, including one album, maybe two, which was an all-time classic (the only crossover being different versions of The State I Am In)", rather than the career-spanning greatest hits that it sounds like, is quite a testament to Stuart Murdoch's relentlessly high quality writing at that time.

Taken as a whole, listened to on random, this collection is so enjoyable - there's maybe one or two throwaway tracks at most - everything else stands up in its own right, from Dog on Wheels to Winter Wooskie, The Loneliness of a Middle Distance Runner to String Bean Jean. Every track that comes up, I'm listeing and going "oh yes, this one, I love this one".

It's maybe a little churlish to say this is as good as it got, that they never quite hit this peak again. Their biggest "hits" were to come (they had 11 Top 40 hits, not bad for a little band) and there were great songs and good albums to come, and they have tried to recreate this magic again with EPs and compilations, standard and surprise releases, but they were never so consistently emotive, evocative and unselfconscious again.

Supposing, and there's every likelihood this is the case, that a slightly later generation of fans really only know B and S from their albums (e.g. in the US I know there is a lot of focus on If You're Feeling Sinister as their singular masterpiece), imagine listening to this for the first time. What a joy that would be ...

Anyway, just for fun, though I know I've done it before, here's a 12-song B and S compilation, trying to be fair to every era:

I'm a Cuckoo

Nobody's Empire

The Loneliness of the Middle Distance Runner

Get Me Away from Here I'm Dying

Working Boy in New York City

I Didn't See it Coming

String Bean Jean

Lazy Line Painter Jane

If She Wants Me

My Wandering Days Are Over

The Stars of Track and Field

The State I Am In

Monday, 15 June 2026

Zebulon

You know, with Rufus, although I think Want One is his only classic album, and the debut self-titled album is the only other one which is close to wholly satisfactory, he always manages to come up with some lovely songs here and there.

Zebulon, from 2010's 'All Days Are Nights: Songs for Lulu', has gone past old favourites like Dinner at Eight and Foolish Love as my favourite Wainwright song. It's something of a dirge, and I've felt since Want Two that he's done too many dirges and not enough grand and glorious pop songs, but Zebulon is such a captivating dirge.

https://www.youtube.com/watch?v=5IoVpMOw8-I&list=RD5IoVpMOw8-I&start_radio=1

Firstly, Zebulon is a cool name. I've never met a Zebulon, though in Kenya, I coached Zablon Mshambala, and he was a proper little footballer - one of the best I've seen. So, often, when I hear this song, I wonder what Zablon, 14 or so in 1997, might be doing now. 

Secondly, I recently read an interview with Melissa auf der Mar as she released a memoir this year, and she mentioned that she, who was at school with Rufus, also had a crush on this Zebulon who is the subject of this song. The legendary Zebulon.

I like the effortless sadness of the song - walking around his old home town, thinking about a boy he had a crush on at school, just skating on the ice of his song, as his mother's in the hospital (soon to pass away). Idle thoughts, heavy feelings.

Anyway, I thought I'd have more to say, but all I really want to say is that this is a lovely song.

And here's a little 12-song Rufus Best of: all killer.

  • Unfollow the Rules
  • Going to a Town
  • Poses
  • Danny Boy
  • Zebulon
  • 14th Street
  • In My Arms
  • One Man Guy
  • Oh What a World
  • Foolish Love
  • 11.11
  • Dinner at Eight

Monday, 8 June 2026

Better the Devil You Know

We watched the Kylie documentary a couple of weeks ago, and I thought about the song Better the Devil You Know, and how strange memory is, lurching backwards and forwards through decades, drawing every strand of several lives together.

I'd say, unlikely as it sounds, I'd never really listened to the song Better the Devil You Know properly until the last couple of weeks. I didn't hear it when it came out in 1990 but remember seeing its title, and, not knowing the expression, thinking "how the hell is that the name of a pop song?"  (of course, the same title was used in quite an unwieldy fashion a couple of years later on Sonia's Eurovision second placer - I suppose, since for most of the 90s, that was the only one of the two I knew, that barely adequate tune of a Better the Devil You Know was better the Better the Devil You Know I knew.)

Strangely, the first I gave any significant thought to Kylie's Better the Devil You Know was several years later, without actually hearing it. I bought Nick Cave's The Secret Life of the Love Song lecture on CD in around 1999. I'd already bought The Boatman's Call by then, but I do think it was The Secret Life of the Love Song that made me a Cave acolyte (speluncaphile?). Solo renditions of People Ain't No Good and the as-yet-unreleased Love Letter, all his trademark humour, learning, biblical allusions, the first time I'd heard the words duende and saudade, and, perhaps most notably, his breakdown of the harrowing lyrics to Better the Devil You Know, his description of the song as a message ""to God that cries out into the yawning void, in anguish and self-loathing, for deliverance".

At the time, being merely a narrow-minded indie kid, I mistook Cave's words as as an ironic take on a cheap song (which I still hadn't listened to!), rather than a slightly grandiloquent take on an excellent song.

Not that I thought, even at the time, that Kylie was not capable of good songs or good singing. I definitely liked Confide in Me and Put Yourself in My Place. Of course, Where the Wild Roses Grow. I was stung by the negative reaction to the James Dean Bradfield-written Some Kind of Bliss. I'd seen her perform Rescue Me in 1994 on Don't Forget Your Toothbrush and, for the first time, thought "she's really a pretty good singer" (although I also distinctly remember thinking that this was a singer who was no longer young and no longer a frontline star .... good one Dave). I also remember, a few years earlier in Our Price Ealing, almost buying the debut album Kylie with my £10  Christmas voucher, but chickening out at the last minute because I thought it was uncool, and buying an album of Andrew Lloyd Webber instrumentals instead ...

How readily we kill our darlings. I was a true original old-school Neighbours kid. I'd owned not just Especially for You but also Angry Anderson's Suddenly (still a banger!). But I did, like a hurt child, turn against Kylie when Spinning Around came out, in 2000, with a big campaign of "I'm a pop girl at heart, I shouldn't have done all that indie rubbish". Well, fine, have it your way, popKylie, did the Manics write Little Baby Nothing especially for you in vain?

Even then, had I listened to Better the Devil You Know? I did hear it as some point, at some point in the 2000s before this last month, but I'm not sure I could have hummed it or sung much more than the title.

Look, I wouldn't say Kylie has been of massive interest to me one way or another throughout most of this century - beyond that brief chagrin at the anti-indie turn of Spinning Around, I've certainly never felt any negativity to her,  but broadly, over the last couple of decades, felt only a distant respect for the admirable pleasantness and normality she has clearly maintained, for the knack of still finding a pop hit when most of her peers have only got nostalgia left. Still, we decided to watch the recent documentary together, hearing it was well made and interesting.

The main non-Kylie figures in it are Danni Minogue, Cave, an extremely poignant and raw Jason Donovan, an extremely full-of-shit Pete Waterman, and, in footage, Michael Hutchence.

We reach Better the Devil You Know in the first episode, and it is described as a career turning point, a sign of Kylie wanting to have more control of her music, while still being written and produced by Stock, Aitken and Waterman. There is some connection made between the song and her then-new-partner, the roving international heartthrob and bounder Michael Hutchence, I think both by Kylie and Waterman - that, for all his faults, at that time, Hutchence was "the devil she knew" - I have since read that Mike Stock, the song's main writer, has denied knowing the slightest thing about Kylie's romantic life at the time. But still, of Pete Waterman said it, it must be true ...

In any case, I really listened to the song. I listened to it on the TV, and then I listened to it that evening and the next day. I heard, for the first time, that it truly was a good song - the melody of the verse, the melody of the chorus, the relationship between the two, the stretch of the vocal performance, the sound -  still SAW but just with more oomph, the sense of unexpected depth, and, indeed, the lyrics, this "message to God that cries out into the yawning void, in anguish and self-loathing, for deliverance", which may or may not be about Michael Hutchence.

What do I know or care about Michael Hutchence, this -  clearly - impossibly alluring man who died in his mid-30s at a time of having becoming one of the most notorious cads in the world? 
I remember the day his death was announced, in November 1997. There were, I recall, parallels drawn with the death of Diana a couple of months previously - two people around the same age, the horrifying post-rationalised inevitability of the sudden ending. I remember that it was quite commonly dismissed/joked about as a case of autoerotic asphyxiation - I think until recently I'd thought there was considerable likelihood that was the case. But no, it seems the simple truth is it was a horrible, desperate suicide.

I really remember that day well, and associate Hutchence with it. At university in St Andrews, I travelled in a car down from Pollock Halls in Edinburgh, listening to regular bulletins about Hutchence on the radio, to a place called Ilam Hall in the Peak District - it was for a reunion/celebration of the organisation I'd taken my gap year with, in the first half of that same year. It's notable to me for a handful of reasons. At that time, I was very good friends with three of the people I travelled down with - via that previous year, and seeing them in Edinburgh often. I was friends with a lot of people from my gap year, but most of them I never saw at all after that reunion, and even the ones I was particularly close to at the time, I haven't seen now for a long long time. So that disconnection feels a bit strange.

But also, there's a connection that feels strange. This place, Ilam Hall - chosen, typically for that fkn organisation, rather boneheadedly, because it was in the middle of England, while actually not at all easy for anyone to get to - was, coincidentally, somewhere I'd been twice before.

A teacher took us on walking holidays in successive summers - 1988 and 1989 (prime Kylie time!) - where we stayed at Ilam, a fine Victorian manor with huge grounds which was, incongruously, a YHA hostel. 

There's an innocence and joy in my recollection of the first trip which there isn't in my recollection of the second, much more ill-tempered, trip, and there are complex thoughts about the teacher who took us, who I found out committed suicide when charged, a few years ago, with accusastions related to grooming and abuse. Every thing I remember gets examined and reexamined. And, weirdly, that's all there when I think about Michael Hutchence.

I can't say I like, or have ever liked, the music of INXS. Some of their most well known songs, like Never Tear Us Apart, are almost there, but not quite there, for me, a bit like, say Purple Rain and other songs by Prince. In 1996, I liked Britpop but, even then, when Noel Gallagher, presented with an award by Hutchence at the Brits, said "Has-beens shouldn't be presenting awards to gonna-bes", I knew what revolting behaviour by a fundamentally unpleasant human being looked like. That's near the top of the vast Gallagher hall of shittiness.

There's something else about Hutchence that is ... well, I'm going to change the metaphor I was going to use here, as it's too literally true. I've recently read about Stuart Sutcliffe, Tammi Terrell and Michael Hutchence, and in all three cases, they received violent blows to the head while being assaulted which, possibly, in different ways, significantly later, led to their deaths - Hutchence was assaulted by a paparazzo in 1993 and apparently that was when depression and mood swings first took hold of him. 

There's so much tragedy in these people's worlds - the Hutchence/Yates/Geldof world, the world of Cave, who sang Into My Arms at Hutchence's funeral, and Rainy Night in Soho at MacGowan's funeral. If Better the Devil You Know was written with Hutchence in mind, it contends with the only U2 song I unambiguously love, Stuck in a Moment You Can't Get Out Of, for being the best song about him.

And so here it is, me listening to a dance-pop song from 1990 and really hearing it properly for the first time in 2026 - making me thinking about 1988 and 1997, about Nick Cave, Bob Geldof and the Manic Street Preachers, about old friends and old haunts. 

As with so many things, turns out the tall man was right - this really is a love song with a secret life of its own.

Friday, 5 June 2026

Cricinfo's 25 Greatest 21st Century Men's International Cricketers

There's a lovely new list for me to get my teeth into. Cricket lists are my favourite lists (indeed, when I was little, I owned a book called "The Book of Cricket Lists") and I can think of nothing more riveting than dissecting the details of this one;

https://www.espncricinfo.com/story/the-greatest-cricketers-2000-2025-1510638

25. R Ashwin 24. Stuart Broad 23. Kevin Pietersen 22. Virender Sehwag 21. Mahela Jayawardene 20. Pat Cummins 19. Ben Stokes 18. Chris Gayle 17. Mitchell Starc 16. Kane Williamson 15. Jasprit Bumrah 14. MS Dhoni 13. James Anderson 12. Rahul Dravid 11. Adam Gilchrist 10. Steven Smith 9. Joe Root 8. Dale Steyn 7. Kumar Sangakkara 6. AB de Villiers 5. Ricky Ponting 4. Muthiah Muralidaran 3. Virat Kohli 2. Sachin Tendulkar 1. Jacques Kallis

Cricket is a sport in which statistics are so embedded, so revealing, that it is hard to get a list like this wildly wrong, and this list is not wildly wrong, but there are several points of interest and dissent, nevertheless.

As soon as I saw the title "international cricketers" (as opposed to "test cricketers" or just "cricketers"), I knew that Virat Kohli would be very high, and that that would annoy me. In fact, the three successive superstars of Indian cricket, Sachin Tendulkar, MS Dhoni, Virat Kohli, are all, in my opinion, too high in this list. Such is superstardom. 

There are seven Indian cricketers, five Australian, five English, three South African, three Sri Lankan, one New Zealander, one West Indian, no Pakistani, no Bangladeshi, Afghan, Zimbabwean, Irish. Such is the balance of power in cricket - power not being exactly the same as success. One might think India have been the most successful team across the three formats over the last 25 years, but, no, it has very clearly been Australia.

And yet, as I will get to, it is an Indian cricketer whose omission from the 25 is, to me, the most unjust - Ravindra Jadeja, probably my favourite 21st century international cricketer.

So, to start with, I'm going to talk a bit about lists in general. One thing I've learnt from making a lot of lists is that the number of items in the list is a statement in itself, and can make or break its integrity.

For example, the recent travesty that was the New York Times' 30 Greatest Living American Songwriters - the number 30 immediately set alarm bells ringing. Why not a classic list number like 10, 25, 50 or 100? 30 is a very specific number that says "it's these 30 and it would be wrong to have any more or any fewer, we haven't been forced into this number, this is the right number we choose" ... but then you leave out an awful lot of people who plenty of people will think is one of the greatest songwriters, be it Kanye West, Tom Waits, Billy Joel, Madonna, Joanna Newsom or Jeff Tweedy, while also putting in a few randoms. So, it was either clever and knowledgeable people being clever and arch, or it was dweebs thinking they were cleverer than they were, and the youtube round table discussion of the jury revealed, of course, the truth of that matter. But, anyway, let the Americans be.

What I've learnt from making lists of greatest songs is that the worst kind of number you can pick when there are just SO MANY SONGS is something large like 500, which would suggest it might contain all the multitudes required, but does not even scratch the surface. I made my ridiculous list of 2022 Songs, but eventually understood that was not close to containing everything people might think a classic. A list of 10,000 songs would not contain everything everyone thought was a classic. You might as well, rather than that, keep a very tight definition of historic greatness, make a big case, and go for 50, 100 ... or 101, I guess.

But, in general, if you are able to have a number where the constituent members are clearly set apart and there is not an entirely valid case for several others to be within that number, that is best. Perhaps the perfect scenario is a slight trailing off at the end, so a reader might go "aah, i can see that eg 47,48,49, and 50 are all less good than, say, 41 and 42, which are not much less good than eg, 31 and 32."

Another major pitfall of compiling lists is not making your criteria and your parameters clear.

So, in the case of this list of Greatest 21st Century Men's International Cricketers, it gradually dawned on me, as they unveiled the list on the website over the course of a couple of weeks, that the criteria and parameters were such that a handful of the greatest cricketers of all time, who played not a negligible amount of international cricket in the 21st century, would not be included. Shane Warne, Glenn McGrath. Brian Lara.

While some of the greatest cricketers of all time, who played not a negligible amount of international cricket in the 20th century, would. Sachin Tendulkar. Mutiah Muralitharan. Jacques Kallis.

Maybe it's just me, but if you're going to leave Shane Warne off a list of great cricketers, I'm a little surprised you're not saying you're doing that right at the start, just for clarity. Warne took more than 350 test wickets in the 21st century, McGrath 300, Brian Lara scored 6000+ runs at an average of 54. They belong, in at least some sense, to the category of 21st century cricketers, so I'd have thought laying out the reasons for saying they're not among the 25 best would be top of the list for the list not feeling a bit off.

Having looked for but not found the explicit way this decision was made, I'd say there are two likelihoods, both of which are fair enough in and of themselves, for who they have and haven't included. 1) they considered everyone but only for their international play from 2000 onward - as if the years they played before that simply didn't exist. 2) they only considered players at all if more than half of their international career was from 2000 onwards. That applies to Tendulkar, Murali, Kallis, but not Warne, McGrath, Lara. So, ok, both make sense ... it seems more likely they did the former as when writing about Tendulkar, they gave his stats from 2000 onwards, rather than his whole-career stats. But there's a big problem with that, really. Tendulkar being the Number 2 player of the 21st century (and judged the best batsman) - magnificent as he is, it doesn't hold up in and of itself. Others have scored more at a higher or comparable average, captained better, won more. Sachin is one of the great batters, but what lifts him above peers is not average (great, but so are others), not style (beautiful, but so are others), certainly not number of defining backs-to-the-wall knocks (actually, arguably, fewer than some others), it is sheer volume and longevity. But if we're not considering the whole volume, no, I do not put him above Smith, Dravid, Sangakkara, Williamson, Root, Ponting in the 21st century. 

And is it really right to leave Warne and McGrath out even if you are just considering the 21st century? No, absolutely not. They were the dominant figures in the most dominant era in the history of test cricket - 7 years of their greatness from 2000 to 2006, when Australia crushed almost all in front of them, was quite enough greatness to make the list. I mean, come on, it feels like a swizz, whatever the criteria.

The list attempts a tricky feat by being about "international cricket" - the three forms - test cricket, ODI and T20I, the latter of which has becoming increasingly prevalent as entertainment and money-spinner in the past 15 years, more at the cost, in some ways, of ODI than tests. It's tricky for various reasons - firstly because of how much weight to assign to each of the three forms. Most still consider tests by far the highest and truest test of greatness, but the gaps are narrowing.

Most of the great cricketers on this list are great in all the forms (while some played the majority of their careers before T20 was quite so widespread), but there is a handful whose placing is more due to white-ball greatness than test greatness. Those would be Chris Gayle, MS Dhoni, AB De Villiers and Virat Kohli. De Villiers was also a great test batter, but I don't think he'd be as high as Number 5 if he wasn't also one of the greatest white-ball batters. Chris Gayle's inclusion is understandable, but rankles a little. Dhoni, I think, is a little high. A superstar, a very good keeper-batsman in tests but not averaging over 40, a very good captain who led India to the 2011 World Cup and transformed their test team, a truly great white-ball finisher. But, I don't know - 4876 runs at 38 in tests ... there are players he's above that he should not be above.

And then, there's Kohli, Kohli at 3 in the list. Kohli is (vynig with De Villiers) the greatest white-ball batter in history, I don't dispute that. He was also a good captain for India, though he didn't quite lead them to the summit as was hoped. He neither led them to the World Test Championship (though they were the Number 1 team in the world for quite a while) or to either a 50-over or 20-over World Cup. But, and I really think it is a more significant than people allow, he failed in test cricket in a way that almost no one else on the list has done. Test cricket ended up defeating him. He started slowly, had a few years of utter magnificence, then lost his form and did not completely regain it. He finished his test career with 9000 runs at 47. There was so much talk of the fab four batters for years (Kohli, Smith, Williamson, Root) but, ultimately, in tests, Kohli is Andy Murray compared to the other three. They've got way more runs, way higher average. Kohli may only be the 20th greatest test batter of the century.

One player with a much better test record than Virat Kohli, who does not make the Top 25, is Pakistan's Younis Khan - 10,000 runs at 52. There are no Pakistani players on the list, not one. I'm not saying, apart from Younis, that there necessarily should be, based on statistics. Pakistan cricket has had a long period of decline, only occasionally arrested by brilliance. Without going into all the reasons for that, it's interesting to think of a possible make-up of a list of 25 Greatest International Cricketers 1975-1999. Now, for those years, International Cricketers really were almost entirely defined by their test record, so in some ways the list is easier to make:

Without too much thought, and not in order, it would be somethiing like:

Viv Richards, Imran Khan, Wasim Akram, Sunil Gavaskar, Waqar Younis, Allan Border, Richard Hadlee, Clive Lloyd, Malcolm Marshall, Curtley Ambrose, Kapil Dev, Ian Botham, Brian Lara, Sachin Tendulkar, Javed Miandad, Steve Waugh, Sanath Jayasuriya, Dennis Lillee, Greg Chappell, Michael Holding, Joel Garner, Courtney Walsh, Warne, McGrath, Allan Donald - (on the edge possibly Gower, Gooch, Chris Cairns, Rodney Marsh, Greenidge, Willis, Kumble, Inzamam ...)

so clearly there are fewer Indian players, fewer English, a lot more West Indian, more Pakistani. This is, sadly, where money has talked in cricket. Look at all those great West Indians ...

Another thing to note is that the late 1900s are seen as the age of the all-rounders, and there are not many all-rounders on Cricinfo's 2020s list - there we had Imran, Hadlee, Kapil Dev, Botham, not to mention Wasim, Marshall, the likes of Waugh, Border, Richards, Jayasuriya:

Here there is Kallis, one of two great batting-allrounders in the history of test cricket, and then Stokes as really the only classic all-rounder (with a few like Root, Sachin, Ashwin, Gayle, Starc who are pretty good at the other thing but not all-rounders).

Now this is, I would say, a significant point of dissent for me. The all-rounders have not been fairly served on this list, nor, as it happens, the left-armers. I'm not saying all these should be in the Top 25, but here are some fine 21st century all-round cricketers - Andrew Flintoff, Daniel Vettori, Shakib Al-Hasan, Chaminda Vaas, Jason Holder, Shaun Pollock, Ravindra Jadeja.

I would have considered Shakib Al-Hasan, Bangladesh's best batter and bowler across three formats for a long time, someone, who for all his faults, carried a relatively new international nation to the position they're now at, of solid competitiveness. I would certainly have considered Shaun Pollock, who probably suffers from his career spanning the millennium, but nevertheless a very forgotten and underrated cricketer, with 3500+ test runs at 32 and 400+ test wickets at 23. Pollock was an unspectacularly magnificent cricketer, perhaps in the shade of Kallis and of Donald then Steyn.

Above all, the absence of Jadeja is a serious oversight. Jadeja has always been an underrated cricketer. It is always "he is a canny cricketer" "he is a useful asset" etc whereas the statistics say he is, in fact, one of the greatest cricketers of all time. No one described Imran Khan as merely "a useful asset" and yet Imran is the only all-rounder with a comparable statistical record to Jadeja. Imran - 88 tests, 3807 runs at 37.7, 362 wickets at 22.8. Jadeja - 89 tests, 4095 runs at 38.3, 348 wickets at 25.1. Uncannily similar, and a better all-round ratio than Botham, Kapil, Ashwin, Pollock, Hadlee, Stokes, Flintoff, than almost any other bowling all-rounder in history, in fact. 

Put it this way, if someone who had never watched cricket nor engaged in cricket discourse but understood statistics were to look at each player's statistical record in tests from the 21st century, Jadeja would be placed in the Top 5 players without question. 

He suffers for being a left-arm spinner and an unspectacular one. Likewise he is an unspectacular batter (ironically, he is a spectacular fielder, probably the finest outfielder of the era).

But, in general, I think the list ill serves all-rounders, and perhaps favours batters over bowlers. Another fairly rank omission is Kagiso Rabada, the magnificent South African paceman who has the best strike rate of ANYONE with over 200 test wickets, and who drove a South African team who had pretty much given up on test cricket a few years ago to winning the World Test Championship. The inclusion of Kevin Pietersen, in particular (whatever his impact), over Rabada feels pointedly off.

What else? It is a mistake to conflate statistics across the three forms of the game. Classic test match statistics are one thing. They do not tell the whole truth, but they tell most of the whole truth. ODI and particularly T20 statistics are a very different matter. It's like, in football, when goals and assists are put together as "Goal contributions" and that's meant to tell the whole story of a player.

In T20, a player can lose his team a game with a knock of say, 60* in 40 balls, and a player can win his team a game with a quick 20 or with one over at a crucial time which, say, only goes for 8. Also, the reality is - every test match still matters. With ODI and T20i, most of it doesn't really matter in and of itself - most of it is glorified practice building for the tournaments. The numbers work in a different way.

I could go on and on but I think I've said most of what I wanted to say. I've been thinking about the best way to have solved the conundrum of who to include. I think having Murali but not Warne, having Tendulkar but not Lara, whatever the rationale, is a cut too severe. But I also think it would have been too silly to place Warne at, say, 17 on the list, based purely on his 21st century performance.

So, I'm going to do my own list and my criteria will be "Anyone who played at least five years/took 200+ test wickets/scored 5000+ runs in the 21st century, but once they're included, counting their whole international career ...

And, going back to an earlier point, I think 25 was too few, by any measure. There are too many players who have as much justification for being there as some of those included.

Apparently, the list was whittled down from a longer list by a combination of votes from great ex-cricketers and and the Cricinfo editors. I mean, they always are - it's always a bit of voting and a bit of tweaking to suit the agenda. It's not a bad list, it is, as I said, hard to get something like this wildly wrong, and it really depends how much weight you ascribe to white-ball vs red-ball, batting vs bowling, all-round ability, moments vs consistency, being a captain, being a keeper, etc, 

but, taking into account that listing the greatest cricketers excludes many of who would be the most valuable cricketers in the modern world, where T20 is everything (Maxwell, Pollard, Suryakumar Yadav, Klaasen etc)

and, admitting that even whittling it down to 50 has been harder than I thought ...

this would be my

50 Greatest 21st Century Men's International Cricketers

OK, actually, before I start, I'm going to mention one other player who doesn't meet the benchmark because he stopped playing tests in 2003, but he's a great of modern cricket. Let's call him ... the 51st Great ... there are no Zimbabweans in the list, but Zimbabwe's greatest player is Andy Flower. First of all, he averaged 51.5, which is more than all the other great keeper-batters. Secondly, he has gone on to be one of the great coaches - leading England to 1 in the world and their first major tournament, winning the IPL more than once etc. Thirdly, his protest at the 2003 World Cup with Henry Olonga was a truly brave and powerful thing, It finished his career, cast him out of his home country, and could have resulted in worse for him. So, he is a notably great 21st century cricketer.

So, saying that, ...

50. Andrew Flintoff (England) Well, obviously, some personal bias will come into my list. Some idea of what I personally thinks constitutes greatness. So I include Flintoff at 50, whereas one should really have found a place for the Australian David Warner, a battering ram across three formats, but all the demerit points he gets, you know .... and, as for Flintoff, I was thinking "well, it's not a about stats with him", and then I looked at his test record again, and it still looks like the record of a very substantial cricketer, even with the slow start and the years of injury. He was the best cricketer in the world for a couple of years, and he changed the whole direction of cricket for a while, so I think he earnes his place.

49. Mitchell Johnson (Australia) I include the likeable Johnson, who had a spat with the unlikeable Warner. Similar to Flintoff, didn't quite have the career he might have had, but was the best player in the world for a while.

48. Misbah-ul-Haq (Pakistan) Rather like Andy Flower, a substantial moral figure in cricket. Having been ignored by Pakistan in tests for most of his career, he was brought in as the one good incorruptible man in his late 30s to sort the whole sorry business out after the matchfixing scandal of 2010. He became Pakistan's most successful test captain, while also having a top-class test batting career into his 40s. While the 2000s are generally seen as a time of decline in Pakistan cricket, Misbah briefly got them back to Number 1 in the world.

47. Chaminda Vaas (Sri Lanka)

46. Daniel Vettori (New Zealand) 

45. Mohammad Yousuf (Pakistan)

44. Nathan Lyon (Australia) No Shane Warne, but it may surprise people when Lyon calls it a day that their records end up being not all that dissimilar.

43. Inzamam-ul-Haq (Pakistan)

42. Chris Gayle (West Indies) The biggest drop from the Cricinfo list, just not a cricketer I liked. Not really fair to him, it felt at the time like he was undermining test cricket in a way that countless people have done since. Mega-talented, applied most of that talent to white ball cricket.

41. Jason Holder (West Indies) Whereas Holder made the best attempt anyone's made to take West Indies cricket on his broad shoulders and arrest the decline. Really a fine cricketer, making big money in the franchises now, but one can't begrudge him.

40. Kevin Pietersen (England) Again, perhaps a bit lower than he ought to be, as he really affected cricket in a big way, but, you know, this guy ...

39. Alastair Cook (England) I don't love this guy either, but I'd place him above Pietersen for a few reasons and 4000 test runs.

38. Mahela Jayawardene (Sri Lanka)

37. Rohit Sharma (India) One of the all-time great white-ball batters, and a good captain.

36. Anil Kumble (India)

35. Matthew Hayden (Australia)

34. Michael Clarke (Australia)

33. Shivnarine Chanderpaul (West Indies)

32. Graeme Smith (South Africa) Now a bit underrated, I think, and could be higher. Has more wins as a captain than anyone else in test cricket history. Has an average of 48 as an opener. Never scored an aethetically pleasing run, though.

31. Mitchell Starc (Australia)

30. MS Dhoni (India)

29. Rashid Khan (Afghanistan) All formats, close to being the best bowler in the world over the last decade. And, obviously, has had a huge impact on the game.

28. Younis Khan (Pakistan)

27. Shakib Al Hasan (Bangladesh)

26. Ben Stokes (England) The vicissitudes of form, fate and the public mood mean Stokes might well have been 10 places higher at the end of last summer, and might be again if he has a great summer in 2026. But, right now, it feels like he's not quite everything like people always thought. Not quite. Tough gig.

25. Stuart Broad (England)

24. Adam Gilchrist (Australia)

23. Kagiso Rabada (South Africa)

22. Jasprit Bumrah (India)

21. Virender Sehwag (India)

20. Pat Cummins (Australia)

19. Ravichandran Ashwin (India)

18. Shaun Pollock (South Africa)

17. Rahul Dravid (India)

16. AB De Villiers (South Africa)

15. Dale Steyn (South Africa)

14. Virat Kohli (India)

13. Brian Lara (West Indies) In the same way as Warne is somehow just the best bowler, the true wizard, even though the numbers don't quite back that up, Lara is, for me, the true batting wizard - the most magical, the most brilliant, the one with the highest ceiling. But he didn't achieve everything Warne achieved in the game, so I can't put him too high.

12. Ravindra Jadeja (India)

11. James Anderson (England) Putting Anderson above Steyn is a tricky one, but correct. Seen as the two top seam bowlers for a while, Steyn had a substantially better record than Anderson whilst they were in sync, but, the point is, the second half of Anderson's career was as good as the whole of Steyn's career. 400 wickets at 23. So even though Anderson ends with the higher average overall, he had a whole equivalent era of being as effective a bowler as Steyn, not to mention another era as a very good but slightly less effective bowler.

10. Steve Smith (Australia)

9. Joe Root (England) I do put Root just above Smith though Smith has an average a fair bit higher because a) volume b) most catches in tests c) better bowler d) 51 for England when no one else has got above 48 for England in 50 years ...

8. Glenn McGrath (Australia)

7. Ricky Ponting (Australia)

6. Kane Williamson (New Zealand) I think Williamson is substantially too low in the Cricinfo list. As good a batter as Smith, and one of the best test captains, who captained the smallest test nation to the first WTC, to a World Cup final they really deserved to win. So great you barely even notice him.

5. Kumar Sangakkara (Sri Lanka)

4. Sachin Tendulkar (India)

3. Muttiah Muralitharan (Sri Lanka)

2. Shane Warne (Australia) Still, though Murali took more wickets at a better rate, that certain something makes Warne the greater cricketer. Maybe it's just that he was a much better batter. But, you know, also, it's just Shane Warne.

1. Jacques Kallis (South Africa) Without question.

There are a handful of others who also really merit a place in the Top 50 - you're never going to get the number just right. Anyway, this has been a highly WORTHWHILE EXERCISE for me, so there we go.


Wednesday, 27 May 2026

Seeing the Beatles

Something I'd never specifically thought about before, which is a fun little thought, is ... supposing the Beatles had reunited in, say, 1974, or 76, or 78, for a big one-off show, or tour, what would you want them to have played?

Assuming ... 

there's no expense spared, but there are still technological limitations

it's a really good music venue, I don't know what the best venue of that era was ... but, you know, everyone can hear. It's in the UK.

they play for about two hours.

they can all still play and sing as well as ever.

I think this is different from Greatest Hits - i think i wouldn't want them to play all my favourites... i'm wondering what would be the ultimate crowd-pleasing Beatles set, drawn from their whole career (I'm going to assume they don't play any solo tracks, though, if they did, let's say we'd get Instant Karma, Live and Let Die, What is Life as a sneaky 10 minute secret set at the end ...)

Help

I Saw Her Standing There

Drive My Car

Helter Skelter

Happiness is a Warm Gun

I Want to Hold Your Hand

Don't Let Me Down

Something

Get Back

A Hard Day's Night

Sgt Pepper's Lonely Hearts Club Band

With a Little Help from My Friends

Octopus' Garden

Back in the USSR

I Got a Feeling

Revolution

While My Guitar Gently Weeps

Come Together

She Loves You

Let it Be 

-

Hello Goodbye

Hey Jude

Twist and Shout

She Came in through the Bathroom Window/Golden Slumbers/Carry that Weight/The End


Something like that ... not very subtle really.


Tuesday, 26 May 2026

Totnum hosper

Totnum hosper - sounds a little like a Latin motto meaning "Whether too much, I am held to hope" ... anyway.

I've supported Spurs for 40 years, and I've mainly felt it was a good club to support, that it played good football, that it knew its place, didn't get ahead of itself, wasn't evil, was basically one of the "good" clubs and I could broadly accept that there were other more successful clubs.

The last few years have tested my fandom. It was very embarrassing when the club joined the disastrous European Super League. It was very embarrassing when a significant portion of the fanbase wanted their team to lose to Man City so that Arsenal didn't win the league. The TV documentary series was embarrassing. Having Jose Mourinho as manager was embarrassing. And, the last couple of seasons, being pretty terrible at football has been pretty embarrassing.

I think everyone connected to Spurs is to blame at different times for what's gone wrong, but, ultimately, it hasn't gone that wrong. The club is still in the Premier League. Spurs are not, nor have ever been, Man Utd, Liverpool, Arsenal, modern Man City, modern Chelsea. Spurs are on a par with Villa, Newcastle, Everton, Forest, West Ham, Leeds United - big clubs with big fanbases that have won some things, but not monster clubs which dominate. Apart from Everton, those other clubs have been relegated from the Premier League this century. Spurs have done better than all of them for the last 20 years, but between 1990 and 2005, finishing bottom half was pretty commonplace. 

Daniel Levy was a good chairman who, thanks to some luck with players and managers, shrewdness with a decent budget, made Spurs a consistent Top 6 club for a while, got them near the league title and to the Champions League final. Spurs fans act like it's his fault we didn't win those moments, and that it's his fault we're not winning them all the time. Completely ahistorical. Levy's biggest mistakes were not caution but overreaching (hiring Mourinho, European Super League). His successors and his critical fans are finding out how easy it is to make a success of Spurs.

Anyway, what I want for Spurs next year is top half of the league, a good cup run, and to play decent football again, and not be a team of dirty, not-particularly likeable foulers, which we've been lately.

I want the promising, talented players to not be injured all the time. I want Romero and Vicario to leave, thanks. Micky van der Ven will obviously leave, but with more sincere thanks

Amongst other things, a particular problem for Spurs in the last couple of seasons is simply that other teams have got better. Spurs could get 60 points in a mediocre season by picking up good amounts of points vs Brighton, Bournemouth, Forest, Fulham etc even if we fell short against the big clubs. Those clubs are very good and well-managed now and there are fewer cheap points than ever, and Spurs haven't adjusted to that.

Anyway, since it's been 40 years, here are my 40 favourite Spurs players.

40. Lucas Moura - i didn't love Moura with his right-wing politics but his hat-trick in the Champions League semi-final was my favourite moment as a Spurs fan.

39. Kevin Danso - best player in the run-in. Think we've found one there.

38. Rafael van de Vaart - down the years, world-class players have occasionally turned up at Spurs and that's been great. Touch of class, van de Vaart.

37. Pierre-Emile Hojbjerg - very solid. Suffered a little for being not quite as good as what came before, but much better than what came after.

36. Darren Bent - I like Bent in general as a player, think he was a bit hard done by, both for Spurs and England.

35. Ruel Fox

34. Paul Robinson

33. Ossie Ardiles

32. Gary Lineker

31. Paul Stewart - adaptable, solid, scored in the 91 Cup Final.

30. Mousa Dembele - few players have had their memory embellished by posterity so much as Dembele. Now gets talked about like an all-time great. He was good though.

29. Aaron Lennon - had a brief period of everyone thinking he should be picked ahead of Beckham for England. A good classic winger, who was a big part of the era when Spurs got good.

28. Edgar Davids - I know he didn't do much for Spurs. But it was Edgar Davids! For Spurs!

27. Dejan Kulusevski - aah, i wish him some luck. Class

26. Tom Huddlestone

25. Danny Rose I liked Danny Rose. Deserved a better career.

24. Jan Vertonghen

23. Christian Eriksen

22. Richarlison - hasn't really delivered for Spurs, but is, unlike Moura, a Brazilian footballer with good politics.

21. Eric Dier

20. Stephen Carr Was not much good, and then, admirably, became good.

19. Glenn Hoddle

18. Vinny Samways Definitive 90s Spurs player.

17. Paul Allen

16. Clive Allen. The rest will mainly be pretty self-explanatory.

15. Hugh Lloris 

14. Paul Gascoigne

13. Micky Van de Ven

12. Ledley King

11. Gareth Bale

10. Luka Modric

9. Chris Waddle

8. Ben Davies

7. Gary Mabbutt

6. Son Heung-min

5. Dimitar Berbatov

4. Chris Hughton Not like I watched him play for Spurs all that much, but just a football person I like.

3. Harry Kane

2. Robbie Keane

1. Erik Lamela A rogue choice at one, but I just loved Lamela. Very talented, but always got injuries. Worked hard, got in opponents' faces. The fact he was peripheral for a lot of the best era shosws how good that squad was.

So, I've left out, amongst others ...

Sheringham, Ferdinand, Klinsmann, Walker, I Walker, Trippier, Anderton, Defoe, Perryman, Aldeweireld, Dele Alli, Crouch, Ginola, Adebayor, Paul Walsh, Justin Edinburgh, Eric Thorsvedt, Rebrov, Iversen, Pavlyuchenko, Jenas, Carrick, Dawson, Woodgate, Barmby, Sanchez, Sissoko, Wanyama, Brennan Johnson ...

Some absolute Spurs legends. I don't exactly know why. They just don't bring a warm glow to my heart when I think of them in a Spurs shirt.